oil an metallic leaf on canvas

40 × 40 cm

framed

In this work, healing is not depicted as a destination, but as a quiet, golden endurance. The gold leaf bleeding down the centre of the face acts as a kintsugi-like repair, suggesting that the cracks in our spirit are exactly where the light and the value reside.

This piece serves as a visual meditative tool, inviting the viewer to sit with their own “submerged” emotions and recognise the divinity in their survival. It is a testament to the beauty of the restorative process - silent, deep, and ultimately transformative.

oil and metallic leaf on canvas

30 × 40 cm

framed

This evocative work explores the intersection of traditional religious iconography and the contemporary surrealism. While the figure appears fragile, the multitude of eyes suggests a hidden power and a constant state of observation. This work challenges the viewer to reconsider what it means to be watched, and what it means to truly see.

oil on canvas

30 × 100 cm

framed

This striking triad reimagines the ancient Japanese proverb of the Three Wise Monkeys - Mizaru, Kikazaru, and Iwazaru - through a lens of dark pop surrealism and Victorian mourning aesthetics.

Replacing the classic three monkeys with doll-like figures shifts the focus from a lesson on self-control to a more haunting commentary on the fragility of innocence and the price of sensory isolation.

oil on canvas

70 × 50 cm

unframed

At its core, this piece explores the subversion of the feminine gaze. The traditional symbol of the rose - historically representative of fleeting beauty and romance - is transformed into a literal organ of surveillance. By embedding eyes within the blooms, I created a sense of omnipotence and protection, suggesting that the subject is not merely being watched, but is herself the watchful guardian of the glowing green elixir she holds.